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One knows it as the main natural element, the one that accompanies us in life and determines the survival of the human race. Waste is lamented, yet it seems so abundant in its fluid flow. We appreciate its transparency, but we hardly see it. Yet, water is the natural element that can afford to tell the mountains, having shaped them over millennia of ancient eras, when the Dolomites were just islets immersed in the water of an immense sea. The mountain is also water, not in its composition, but in the imaginary representation that everyone has within themselves... the barely hinted stream that interrupts the path pushing us to jump or the force of a waterfall, all the more impetuous the more winter has given snow. Snow, indeed, soft water crystals in winter and tenacious in summer, consolidated in increasingly dwindling glaciers. And then the lakes, more often small lakes, mirrors for the peaks and for a stubborn vegetation. Everywhere, in the mountains, water reigns supreme, if only for those sudden rains that surprise us during excursions and constantly feed the basins downstream. Providing images of incredible strength or placid tranquility, depending on how the water clashes with the rock. And so from the verticals arise impetuous waterfalls, contrasting with the gurgle of the gently sloping path, to the ripples of the small waves moved by the wind of the tranquil green-blue lakes surrounded by mountains. How can we forget the Fanes waterfall or that of Tofana di Rozes, which announces spring with its appearance only to suddenly fall back into visual oblivion, or even that of Ra Stua, today's cover star. Or Lake Sorapiss, as well as Ghedina or d'Ajal lakes, or the glacial one dominating Armentarola: just a few of the many water eyes that look indulgently at Cortina. Recently, a lake not far from Cortina, Lake Mosigo in San Vito, has become a national star thanks to the TV series "Un passo dal cielo," which has portrayed Ampezzo and Cadore with the photographic glimpses that only an alpine natural setting can provide. But what fascinates us so much in the contrast between the rigidity, grandeur, and static nature of rock and the impalpable, fluid transparency of water, if not that analogy with the inner structure of the human being, divided, often in unstable balance, between